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Editorial,
Richard
Parncutt and Ali c.
gedik
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Foreword,
Costas Tsougras and Makis Solomos
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Articles
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A
cross-cultural comparative study of the role of musical structural
features in the perception of emotion in Greek traditional music
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Kyriaki
Zacharopoulou and Athanasia Kyriakidou
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Perception of intrinsic formal functionality: An empirical investigation
of Mozart’s materials
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Michel
Vallières, Daphne Tan, William E. Caplin, Stephen McAdams
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Tonal
hierarchies in Sutartinės
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Rytis
Ambrazevičius and Irena Wiśniewska
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Audible
ecosystems and emergent sound structures in Di Scipio’s music: Music
philosophy helps musical analysis
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Renaud
Meric and Makis Solomos
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Inter-structures: Rethinking continuity in post-1945 piano repertoire
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Danae Stefanou and Pavlos Antoniadis
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W. A.
Mozart’s Phantasie in C minor, K. 475: The pillars of musical
structure and emotional response
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Tijana Popović Mladjenović, Blanka Bogunović,Marija Masnikosa and Ivana
Perković Radak
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Auditory
streams in Ligeti's Continuum: A theoretical and perceptual
approach
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Emilios Cambouropoulos and Costas Tsougras
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Analytical
representations of
creative
processes in Michael Finnissy’s
Second String Quartet
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Amanda
Bayley and Michael Clarke
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- Editorial board
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- Advisory board
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- Official Info
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Table of Contents |
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