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Editorial,
Ali c.
gedik
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Interdisciplinarity in JIMS,
Richard Parncutt
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Foreword,
Kaire Maimets-Volt
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Articles
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The
effect of the spoken dialect on the singing dialect: The example of
Lithuanian
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Rytis
Ambrazevičius and Asta Leskauskaitė
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Chromaticisms or performance rules? Evidence from traditional singing
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Rytis
Ambrazevičius and Irena Wiśniewska
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“Singing like the gaida (bagpipe)”: Investigating relations
between singing and instrumental playing techniques in Greek Thrace
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Haris
Sarris and Panagiotis Tzevelekos
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The reception of overtone singing by uninformed listeners
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Marie-Cécile
Barras and Anne-Marie Gouiffès
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Towards a common terminology to describe voice quality in Western
lyrical singing: Contribution of a multidisciplinary research group
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Nathalie
Henrich, Pascal Bezard, Robert Expert, Maëva Garnier, Christian Guerin,
Claire Pillot, Sophie Quattrocchi, Bernard Roubeau,
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Boris
Terk
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The
tertiary singing audition: Perceptual and acoustic differences between
successful and unsuccessful candidates
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Helen F.
Mitchell and Dianna T. Kenny
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Effect
of voice change on singing pitch accuracy in young male singers
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Elizabeth C. Willis and Dianna T. Kenny
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Historically informed retuning of polyphonic vocal performance
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Jonathan
Wild and Peter Schubert
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An empirical approach to studying intonation tendencies in
polyphonic
vocal performances
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Johanna
Devaney and Daniel P.W. Ellis
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Learning to sing in tune: Does real-time visual feedback help?
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Pat H.
Wilson, Kerrie Lee, Jean Callaghan, C. William Thorpe
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Exploring relationships between the kinematics of a singer's body
movement and the quality of their voice
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Geoff
Luck and Petri Toiviainen
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Awakening the sleeping beauty: Estonian 1939 recordings
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Kadri
Steinbach and Morten Hein
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Review
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Interdisciplinary musicology conference: Afterthoughts
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Ilse
Lehiste
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Abstracts in Estonian
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Notes on
contributors
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- Editorial board
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- Advisory board
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- Official Info
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