| |
|
 |
-
Editorial,
Ali C. Gedik and
Richard Pancutt
-
|
| |
|
 |
-
Foreword,
Neville Fletcher and David Howard
-
|
| |
|
|
-
Articles
|
| |
|
 |
-
Imitations of bells:
Correspondence between bell acoustics and onomatopoeic texts
-
Rytis Ambrazevičius and Renata
Balsienė
|
| |
|
 |
-
The McGill Digital
Orchestra: An Interdisciplinary Project on Digital Musical Instruments
-
Sean Ferguson and Marcelo M.
Wanderley
|
| |

|
 |
-
The electric guitar: an
augmented instrument and a tool for musical composition
-
Otso Lahdeoja, Benoit Navarret, Santiago
Quintans and Anne Sedes
|
| |
|
 |
-
Theatrical expressivity of
Berio's Sequenza for viola: Levels of communication
-
Blanka Bogunović , Tijana
Popović Mladjenović and Ivana Perković
|
| |
|
 |
-
Instrument in interaction
with pitch content of selected works by Brahms, Saint-Saens, Hindemith,
and Shostakovich
-
Kerri Kotta and Jonne Kotta
|
| |
|
 |
-
Investigating instrumental
repertoire following the technique of parataxis: A case study
-
Haris Sarris, Tassos Kolydas and Michalis
Kostakis
|
| |

|
 |
-
Drawing a parallel between
the gaida (bagpipe) and the Zonaradikos line dance through statistics
-
Haris Sarris, Angelos Velegrakis and Tassos
Kolydas
|
| |
|
|
|