Drawing by Bob Fink, (c)www.greenwych.ca 1997                       

 

 

   

 
 
News
 
· JIMS has established a non-profit membership program, Friends of JIMS (see about).
· JIMS has started using DOI (Digital Object Identifier) for the intellectual property of the articles published both print and online.
· JIMS was recently indexed by EBSCO-Academic Search Complete
· Upcoming conferences : announcements
Articles in Press*:
 
      Collaboration perspectives for folk song research and music information retrieval: The indispensable role of computational musicology
          Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, and Remco C. Veltkamp
                                                                  Available online 30 December  2009
       A comparative analysis of Eurasian folksong corpora, using self organising maps
               Zoltán Juhász and János Sipos
                                                                           Available online 04 November 2009

 

Current issue:
special volume - musical structure                      spring/fall 2009, volume 3, issue 1&2
Costas Tsougras & Makis Solomos (guest editors)
4th Conference on Interdisciplinary Musicology (CIM08)-Thessaloniki, Greece, July 2008 - revised selected papers
 
   
Editorial, Richard Parncutt and Ali c. gedik
   
Foreword, Costas Tsougras and Makis Solomos
     
Articles
   
A cross-cultural comparative study of the role of musical structural features in the perception of emotion in Greek traditional music
Kyriaki Zacharopoulou and Athanasia Kyriakidou
   
Perception of intrinsic formal functionality: An empirical investigation of Mozart’s materials
Michel Valličres, Daphne Tan, William E. Caplin, Stephen McAdams                         
 
 
Tonal hierarchies in Sutartinės
Rytis Ambrazevičius and Irena Wiśniewska
   
Audible ecosystems and emergent sound structures in Di Scipio’s music: Music philosophy helps musical analysis
Renaud Meric and Makis Solomos
 
 
Inter-structures: Rethinking continuity in post-1945 piano repertoire
Danae Stefanou and Pavlos Antoniadis     
   
W. A. Mozart’s Phantasie in C minor, K. 475: The pillars of musical structure and emotional response
Tijana Popović Mladjenović, Blanka Bogunović,Marija Masnikosa and Ivana Perković Radak
   
Auditory streams in Ligeti's Continuum: A theoretical and perceptual approach
Emilios Cambouropoulos and Costas Tsougras
 
 
Analytical representations of creative processes in Michael Finnissy’s Second String Quartet
Amanda Bayley and Michael Clarke
 
 
 
 
* These are articles containing the authors' corrections and may, or may not yet have specific issue and page numbers assigned.

 

 

 

                                                                                  

 

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